Jonathan Bailey dances with Bert and Ernie on Sesame Street amid LGBTQ+ cultural moment

Jonathan Bailey dances with Bert and Ernie on Sesame Street amid LGBTQ+ cultural moment

When Jonathan Bailey sat down on a sunlit Sesame Street bench with Elmo last Tuesday, he didn’t just chat about leaves and hot chocolate—he whispered something quieter, and far more powerful: "Give yourself a moment. A moment for whatever you need." It was a line meant for children, but it landed like a lifeline for millions who’ve spent decades seeing themselves reflected in the quiet, unspoken bond between two Muppets who live together in a basement at 123 Sesame Street.

The Quiet Power of a Park Bench Moment

Bailey, the Olivier Award-winning actor named PEOPLE’s 2025 Sexiest Man Alive, didn’t come to Sesame Street to promote his new film. Not exactly. He came because Bert and Ernie mattered. And so did the children watching, many of whom are just beginning to understand what love looks like when it doesn’t fit the script. His conversation with Elmo was gentle, almost meditative. He spoke of silence as sanctuary, of gratitude as practice. No grand speeches. No performative allyship. Just a man, in his early 30s, telling a red furry monster—and the millions behind the screen—that it’s okay to pause. That it’s okay to be tired. That joy doesn’t always need a soundtrack.

Dancing Through Life: A Nod to Queer Coding

The second segment was different. Upbeat. Joyful. Chaotic. Bailey, in a navy blazer and sneakers, spun with Bert and Ernie as they wobbled through a dance routine to a jazz-inflected tune. Then came the line: "We’re dancing through life, Bert." It wasn’t written in the script. It was a gift from Bailey’s own performance as Fiyero in Wicked: For Good, the cinematic finale to Jon M. Chu’s two-part adaptation of the Broadway hit, set to open November 21, 2025. The line echoes Fiyero’s anthem from For Good—a song about transformation, loyalty, and love that defies expectation. And in that moment, the audience knew: this wasn’t just a cameo. It was a declaration.

Who Are Bert and Ernie, Really?

The cultural weight of this scene didn’t come from nowhere. Since the 1970s, Bert and Ernie have been quietly, defiantly queer-coded. Their shared apartment. Their routines. Their unspoken intimacy. In 2018, former Sesame Street writer Mark Saltzman told Queerty he based them on his own relationship with film editor Arnold Glassman. "They were my love story," he said. The network never confirmed it. But they never denied it either.

In 2011, when a petition demanded they marry, Sesame Workshop issued a now-famous response: "They remain puppets, and do not have a sexual orientation." It was a legal dodge, yes—but also a cultural surrender. Because everyone knew. Especially in Northern Ireland, where in 2014, a baker’s refusal to make a cake featuring Bert and Ernie for a same-sex wedding sparked international outrage. The cake wasn’t about fondant. It was about belonging.

Even Snuffalupagus—the giant, invisible friend—got a nod from Saltzman as "a depressed person nobody can see… sort of gay closeted too." The Muppets have always been mirrors. For kids. For outsiders. For those who learned to love quietly.

Why This Matters Now

Bailey’s appearance lands at a volatile moment. Anti-LGBTQ+ legislation is surging in the U.S. and parts of Europe. Book bans target stories of queer families. Yet here’s a mainstream children’s show, through the lens of one of Britain’s most beloved actors, letting two Muppets hold hands—literally—on national television. No fanfare. No press release. Just dance.

And Bailey? He’s not just an actor. He’s a steward. He’s starred in Bridgerton as a man who loved openly. In Fellow Travelers, he played a closeted diplomat in 1950s Washington, where love meant silence. Now, he’s using his platform to spotlight The Shameless Fund, his LGBTQ+ youth charity, while teasing he won’t be off-screen long. "I don’t expect to be away from the screen for too long," he told The Pink News. That’s the quiet activism of our time: not protest signs, but hot chocolate on a bench. Not speeches, but a line from a musical that means everything to someone.

What Comes Next

The world will see Bailey again on November 21, 2025, as Fiyero in Wicked: For Good, opposite Cynthia Erivo, Ariana Grande, and Jeff Goldblum. But the real sequel? The one that matters more—is what happens after the credits roll. Will more children see themselves in Bert and Ernie? Will more parents feel safe explaining that love doesn’t need a label? Will the next generation grow up thinking it’s normal for two men to share a bed, a spoon, and a song?

The answer might be written in the laughter of a child watching Bailey dance with two felt creatures. In that moment, the message wasn’t spoken. It was felt.

Frequently Asked Questions

Why did Jonathan Bailey choose to reference "We're dancing through life, Bert"?

The line is a direct callback to Fiyero’s emotional climax in "For Good," a song about enduring connection and transformation. By using it with Bert and Ernie, Bailey subtly aligned their enduring, platonic-but-profound bond with queer narratives of love that defy categorization. It was an intentional nod to fans who’ve long seen the duo as symbols of quiet, steadfast love.

Has Sesame Street ever officially recognized Bert and Ernie as a gay couple?

No. In 2011, Sesame Workshop explicitly stated they "do not have a sexual orientation," despite decades of cultural interpretation. However, writer Mark Saltzman confirmed in 2018 that their dynamic was inspired by his own relationship. The network’s stance reflects corporate caution, not creative intent—leaving the meaning to audiences.

How did the public react to Bailey’s appearance?

Social media exploded with emotional responses. Viewers wrote, "I think if Jonathan Bailey put his arm around me and told me he was proud of me, that would fix me," while others joked about being "jealous of Elmo." LGBTQ+ outlets like GCN.ie and The Pink News highlighted the moment as a landmark in children’s media, where queer joy was presented without apology or explanation.

What’s the connection between Bailey’s role in Wicked and this Sesame Street appearance?

Bailey’s portrayal of Fiyero—a character who finds love in unexpected places—mirrors the quiet rebellion of Bert and Ernie’s relationship. Both are about finding belonging outside societal norms. By quoting "We’re dancing through life, Bert," he tied his film’s message to a decades-old cultural symbol, reinforcing that queer love isn’t new—it’s just finally being seen.

Why is the 2014 Northern Ireland cake controversy relevant here?

The case showed how deeply Bert and Ernie had become symbols of LGBTQ+ identity—even when the creators avoided labeling them. When a baker refused to decorate a cake with them for a same-sex wedding, it wasn’t about cake. It was about whether a child’s understanding of love, shaped by Muppets, deserved legal protection. The case became a global flashpoint for cultural acceptance.

What does this mean for future children’s programming?

It signals a shift: mainstream kids’ shows no longer need to hide queer-coded relationships behind metaphor. By having a respected adult actor engage so tenderly with Bert and Ernie, the message becomes: love doesn’t need a definition to be valid. That opens doors for more authentic representation—not as activism, but as normalcy.